Public History Articles, Historic Preservation Articles, what is Public History, Museum Management, Preserving Historic Places. Careers for historians in museums and other fields of public history.
Some of our worst fears are explored at these bizarre museums. They’ll give you the creeps for Halloween … or any other time of year
Antonia Wilson, The Guardian 2018
Amulya Gopalakrishnan, The Times of India 2017
Public historians who work in interpretation and education often find themselves in a uniquely different setting from that of a classroom history teacher. In public history you must quickly learn how to work in small time spaces, and you never know who will walk through that door to visit your site.
Nick Sacco, AASLH Broadside 2016
The museum’s curios highlight different kinds of failure. There are many examples of products that were short-sighted, short-lived or just silly.
Marissa Fessenden, Smithsonian.com 2017
Kerry Hammon, The NY Times 2016
USC Center on Public Diplomacy 2017
A new museum proposed for Egypt’s City of Alexandria aims to bring visitors to sunken treasures not seen by the public in over 1,400 years.
Michelle Z. Donahue, Smithsonian.com 2015
The National Council for Public History interviews Patrick Cox, Ph.D., an award-winning historian, author, and conservationist. His consultant firm specializes in historical research and projects for individuals, corporations, legal firms, and nonprofit organizations.
Patrick Cox, History at Work 2017
History isn’t pretty and sometimes it is vastly different than what we’ve been taught, say Lonnie Bunch and Kevin Gover
Allison Keyes, Smithsonian 2018
Two heritage managers explain why a partnership with the Getty to implement the open-source Arches platform will make it easier to protect buildings and sites in London and Lincoln
Alexandria Sivak, The Iris 2017
The idea of public history, in which academics seek to address a wider audience, is considered to be a modern one, but, discovers Eleanor Parker, a form of it was practiced during the Middle Ages.
Eleanor Parker, History Today 2016
The ACHP is an independent federal agency that promotes the preservation, enhancement, and sustainable use of our nation’s diverse historic resources, and advises the President and Congress on national historic preservation policy.
Advisory Council on Historic Preservation
A new report on the status of African artefacts held in various French museums will recommend the president to return the pieces which were stolen or taken “without consent” during the colonial period.
This is Africa2018
We analysed 24 museum websites to distill the three groups of questions you need to answer for your visitors.
Pat Hadley, Cogapp 2017
Margaret Biser, Vox 2017
It’s the first time the Association of Art Museum Directors has made their research public.
Julia Halperin, ArtNet.com 2017
For every $8 visitors spend at museums in North America, museums spend $55. Rich donors want their money to go to construction, not operations, so museums have difficulty maintaining and staffing their new buildings.
Ben Davis, NY Times 2016
In a digital age, more people than ever are visiting libraries, archives and museums. We can learn from that
Guy Berthiaume & John G. McAvity, Ottawa Citizen 2016
Diane Lees (Director-General of the Imperial War Museum Group) discusses some of the Imperial War Museum’s major digital projects and share lessons learnt.
Diane Lees, Univ of Oxford, 2016
Catherine Fletcher Blog, 2016
Cultural institutions learn to love selfies, tailor-made apps, and social media.
Sophie Gilbert, The Atlantic 2016
Where the public view of Smithsonian museums ends, Sidedoor begins. With the help of biologists, artists, historians, archaeologists, zookeepers, and astrophysicists, host Tony Cohn sneaks listeners through Smithsonian’s side door to search for stories. 34 episodes in 1st two seasons.
Stephen Rex Brown, NY Daily News 2017
A tour of comedian Phyllis Diller’s library card cabinet of jokes, which she donated to the Smithsonian.
Hanna BredenbeckCorp, National Museum of American History blog 2017
The author describes her personal story of pursuing a career in museums rather than academia, where she was originally headed.